Now that I've had the chance to see my new grandson life is back to normal -- sorta! I don't know if I'll ever become a proficient gilder, it's a difficult art but I keep plugging away. I've just used up 11 of the 20 books of gold and do have quite a number of frames to show for it. While in Seattle, I visited Charles Douglas at his Gilding Studio. We had a nice visit and I would like to take one of his 3 day workshops to get more one on one instruction on laying the gold. Practice, Practice, and more Practice is what it will take. A pack of 22 kt. gold is about $400.00 and has those 20 books. Although it's expensive, the gold is really a minor part of the operation. The preparation of the frame with 6-8 coats of gesso followed by the same number of coats of bole (clay), not to mention any carving I might try to throw in is where the cost comes in. Thankfully my labor is pretty reasonable, truth be told I couldn't afford myself! Here is a picture of two small sample pieces I'm doing at the same time, they'll be used to experiment with the toning process once I complete the two 16 x 20 frames that are in the works.
It's hard to tell but the cut off piece on the left has some combed gesso, a process I've always wanted to try. Just as the name implies, I made the gesso fairly thick and then used a comb to create the texture, it should make for an interesting frame. The longer piece has composition ornamentation on it and is what the frame I'm almost done gilding has. The molding is modified from our stock and then I steamed on the "fish scale" pieces all the way around. It's destined for a painting Diane did based on a photo she took at Pike's Market when we visited there last year. Anyway, once it's done I'll post it on the blog.
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